••• Current Show •••
Our Gallery is open Tue from 11 to 3pm, Wed – Fri 11 – 5pm and Sat 10 – 3pm
Lucia Grossberger Morales, “Sacred Bots” and “Moving Paintings”
Eileen Hyman, “Knowing. Remembering”
Erik Reel, “Silence”
Exhibit Dates December 4 – 26
Opening Reception December 6, 4- 6 pm
Lucia Grossberger Morales, “Sacred Bots” Robots and Moving Paintings Reflect Artist’s Passion for Technology
After painter Lucia Grossberger Morales saw her first Apple II computer in 1979, she sold her new house, and with those profits bought the computer and the time to learn how to communicate with it. The artist’s continuing passion for creating art supported and inspired by technology is evident in her most recent “Sacred Bots” acrylic paintings and “Moving Paintings,” on exhibition at the Blackboard Gallery of Studio Channel Islands Art Center from December 4- 26. The free reception is Saturday, December 6 from 4:00 to 6:00 p.m.
The brushstrokes in “Moving Paintings” are generated completely from computer code. The “Sacred Bots” painting series was inspired by Morales’ passion for robots and questions about why some cultures are more accepting of them than others. Creating the series also raised first time questions for the artist about how to reconcile her positive attitudes toward technology with its negative impacts.
Morales’ interactive installations, videos and CD-ROMs have been exhibited in museums, galleries and film shows in the United States, Latin America and Europe, locally including San Francisco Museum of Modern Art, Oakland Museum, Palm Springs Art Museum and Long Beach Museum of Art. The artist also coauthored AppleVisions for which Steve Wozniak wrote the foreword, and Designer’s Tool Kit, a graphics program published by Apple Computer, Inc. She currently has a studio at Studio Channel Islands Art Center and lives in both Camarillo and Palm Springs.
Eileen Hyman, “Knowing. Remembering” Nurturing Alternatives Sought In Artist’s Quest
In the 40 years that Eileen G. Hyman has been making art, her quest always centers around the nature of existence, with art her means to explore the unknown. See where Hyman’s search takes her in her exhibit “Knowing . Remembering”.
Hyman works in several mediums and processes. She observes that her paintings of figurative images, collage made of found objects, and artist books and boxes all nurture her ongoing investigation into the mysteries and relationship between mankind and the universe. In this search she hopes to find nurturing alternatives to what she calls “the rage of our time.”
Erik Reel, “Silence” Erik Reel Paintings Continue Exploration of Mark-Making
Contemporary artist Erik Reel continues his explorations of mark-making and signification in “Silence,” an exhibition of recent works.
In 2009 Reel began a series of paintings exploring the nature of human mark-making, which he describes as “something that separates us from what came before.” Reel’s work is influenced by an infinite range of sources, including micro-and nano-photography, poorly erased whiteboards, improvisational music, abandoned industrial sites, hieroglyphs, wars, concrete, cytoplasm, wood, other painters, scratched surfaces, blizzards, typography, the human voice, the inside of an eyeball, the improvisational traditions of the Indian sub-continent.
Reel is represented in collections worldwide, including New York, Berlin, Los Angeles, Chicago, Buenos Aires, Houston, San Francisco, Seattle, and San Diego. He has written on art for such publications as Art Week, wrote a weekly column on the arts for the Bellevue Journal-American, was arts editor for the Seattle Voice city magazine, and sat on the Seattle Arts Commission Special Task Forces for Media and for Educational Institutions in the Arts. A graduate of the University of Washington, he also taught art at Seattle Central Community College. Today Reel maintains his studio in Ventura, California.
Outsider Art, Chinese Calligraphy, and Uppity Women: Different Approaches to Figurative Art
Opening Reception January 10, 4 – 6 pm
The life experiences of figurative artists Tiger Huang, Maggie Kildee, and Elle-Jé Freeheart could not be more different, yet all three approach the image of the human body as a portal to our emotions. A free reception for their joint exhibition “Image and Essence,” is on Saturday, January 10 from 4:00-6:00 p.m. at the Blackboard Gallery of Studio Channel Islands Art Center in Old Town Camarillo. The exhibit runs January 3 – 28, 2015.
Embracing My Shadow, Dancing My Light Describing herself as an outsider artist, Elle-Jé Freeheart’s ceramic sculpture includes features such as incomplete bodies or unconnected parts or wounds. Rather than being expressions of anguish, the artist explains that the sculpture pieces are containers of emotional feelings: angst or elation made visible. Freeheart says she is self-taught, without art training or private instruction, which she feels has allowed her the freedom to develop her vision without influences from traditional methodology. Her work has been exhibited and is in collections in this country and abroad, and she has been a board member of Green Art People and the Artists Union Gallery. Freeheart’s art career has included book illustration, teaching and writing. In line with Freeheart’s interest in the human body and emotions, she is an aesthetician, herbalist, aroma therapist and massage therapist.
Three Minutes on a Stage The work of Tiger Huang, born in northern China, reflects Chinese traditional art as well as newer American influences. A master in calligraphy and Sumi pen and ink, Huang’s figurative work often blends calligraphy and drawing, using both complicated and sparse strokes to define gesture and expressions. Several pieces in this exhibit explore the intricate meanings of specific Chinese characters, which are boldly painted over the related figures behind them. A calligraphy installation is also part of his exhibition.
Huang graduated in industrial design from Chin Gun Ye Art and Design College in Hu Nan Xin Xian and worked as a designer for major companies in China before coming to the United States. His work has been exhibited in solo and group shows in California. His paintings and drawings are in collections here and abroad. Uppity Women Working with clay has been a passion for many years for Maggie Kildee. Gravitating toward the full round shapes of women, Kildee enjoys the challenge of using clay to express the emotions they might be feeling. Some recent pieces have had a more angular shape, but her terracotta women are all slightly large, plain, uninhibited, and having fun. She often describes her creations as “Uppity Women,” such as the one dancing happily even if she is certainly not young or light on her feet. Kildee’s sculpture emphasizes the women’s shapes and gestures, creating the challenge of expressing their feelings with less detail.
Kildee never envisioned becoming a professional ceramicist. She taught elementary school in Camarillo for 10 years before becoming one of the first women elected to the County Board of Supervisors, where she served for 16 years. When she joined others to help found Studio Channel Islands Art Center, she began working in clay again. Kildee was in Guadalajara when she saw one of Francisco Zuniga’s sculptures, and she credits his work as the inspiration for many of the earthy women she creates. Her pieces are collected throughout the United States, and Kildee has exhibited extensively.
February – gallery dark. We welcome Los Primeros School of Sciences and Arts to their annual school play at the Blackboard Gallery.
March- Gretchen Batcheller and Ty Pownall
April- Brooks Institute Students and Faculty
May- Over Your Sofa, CFE
June- Julia Pinkham, Klari Reis, BiJian Fan
July- John Sohms, plus national CFE “Americana”
August- Jordan Poe, Mike Pecsok, Patrick Fisher
September- Michael Pierce
October- Day of Dead/Momento Mori, CFE
November- Tom & Patti Post
December- Members’ Show, CFE
Schedule is subject to change.
Tuesday 11 am – 3 pm
Wednesday through Friday 11 am – 5 pm
Saturday 10 am – 3 pm