••• Current Show •••
Our Gallery is open Tue from 11 to 3pm, Wed – Fri 11 – 5pm and Sat 10 – 3pm
Annual Juried Membership Exhibit (Call for Entries)
Juror: Richard Amend
Exhibit Dates September 4 – 26
Opening Reception September 6, 4 – 6 pm
Crème de La Crème, Studio Channel Islands Art Center’s juried member exhibition, opens September 4 at their Blackboard Gallery in Old Town Camarillo and runs through September 26. The free artists’ reception and award presentation for Crème de La Crème is Saturday, September 6 from 4:00 – 6:00 p.m. The 1st place winners in two- dimensional and three-dimensional are each awarded a joint solo show in 2016.
The annual member exhibit is open to entry by all 160 artist members of Studio Channel Islands, and works of any medium were eligible as long as they “fit through the door.” The juror this year was artist Richard Amend.
Works were chosen Carolyn Barone, John Brown, Kim Clarke, Carlos Cordova, Robert Diehl, Pia Dietzen, Helen Dziadulewicz, Frances Elson, Harold Epstein, Maria Erlichman, Lynn Farrand, Patrick Fisher, Karin Geiger, Dan Givens, Lucia Grossberger, Brent Hanson, Wendy Holder, Michelle Honles, Tiger Huang, David Isakson, Charles Karp, Maggie Kildee, Mary-Gail King, Christine Leong, Eileen Maloney, Mary McGill, Arlene Mead, Janet Milhomme, Shelly Moore, David Nelson, Gwenlyn Norton, Sigrid Orlet, Barbara Pickles, Jordan Poe, Patricia Post, Tom Post, Peggy Pownall, Bob Privitt, Pat Richards-Dodds, Michael Rohde, Melanie Roschko, Mark Rubin, Sal Santangelo, Arline Tepper, Judy Winard, and Marion Wood.
Michael Rohde, Richard Bruland PARALLELS
Exhibit Dates October 1 – 24
Opening Reception October 4, 4 – 6 pm
“Parallels,” a joint solo exhibition of Richard Bruland’s abstract paintings and Michael Rohde’s woven tapestries, runs October 1-24 in the Blackboard Gallery of Studio Channel Islands Art Center in Camarillo. A free public reception for the two internationally exhibited artists is on Saturday, October 4 from 4:00-6:00 p.m. Bruland and Rohde approach their art from different mediums, but parallels emerge in their treatment of color and visual fields, and both use traditional methods.
Like a painter, weaver Rohde mixes his own colors for dyes he makes to achieve a range of contrasts in his tapestries. By limiting his vocabulary to color and woven texture, Rohde feels the works are better able to stimulate the reactions and emotions that raw color and spatial relationships can have on the viewer. After pursuing dual careers in biochemistry and weaving, in 1998 Rohde left as a director of a biotechnology research lab to devote full time to working in woven textiles. His pieces are in the permanent collections of the Art Institute of Chicago, the Mingei Museum in San Diego, and the San Jose Museum of Quilts and Textiles. A resident of Westlake Village, Rohde studied at the Glassel School of the Museum of Fine Arts in Houston.
Bruland thinks of his structurally abstract paintings in landscape terms, using traditional methods and materials to infer a sense of place. To do this, he focuses on transitions from light to dark, referencing the natural world, and using color to draw viewers into a personal exploration of his own particular signatures. Bruland’s paintings are in the collection of the University of Kentucky, Albert B. Chandler Hospital, as well as in private collections throughout the United States. He currently teaches painting at American Jewish University. Born in Lima, Peru, Bruland grew up in Geneva, Switzerland and now lives in Los Angeles. He is a graduate of California Institute of the Arts in Valencia and studied at the School of the Art Institute of Chicago.
Clothing Optional (Call for Entries)
Juror: David Elder
Exhibit Dates: October 30 – November 28
Opening Reception November 1, 4 – 6 pm
Lucia Grossberger Morals, Eileen Hyman, Erik Reel
Exhibit Dates December 4 – 26
Opening Reception December 6, 1 – 5 pm
Tuesday 11 am – 3 pm
Wednesday through Friday 11 am – 5 pm
Saturday 10 am – 3 pm